If you haven’t yet seen the hit movie Crazy Rich Asians, what are you waiting for??
A surprise box office smash when it first came out in August, it’s still playing in theaters. The Huffington Post reports that it is currently the highest-grossing romantic comedy in ten years: almost $166 million as of this weekend, Sept. 29-30.
There’s much to like about it: good acting (many were unfamiliar to me, but I’m definitely a long-time fan of veteran Michelle Yeoh), clean humor (not raunchy or juvenile), an exotic location (Singapore), beautiful people, good music (performed by Asian musicians in Chinese), great production value (loved the social media scene in the beginning). Yes, yes, it’s an all Asian cast, and much has been made about this in the media. But the story will appeal to most film lovers in our global community. This is movie entertainment at its best.
For those like me with an Asian background, we so appreciate seeing the Chinese (people and culture) honestly represented and contemporary characters who look like us. Watching this movie was an emotional experience. I teared up several times, both in laughter and happiness, mostly happiness that “I am seen,” not invisible like so often happens to many marginalized people.
Most Asians are far from being crazy rich for sure. And this is a good reminder to non-Asians that Asians come from diverse backgrounds. Still, there are some cultural touches in the film that ring true for many Asians, like Rachel’s mother providing food in Tupperware for their international flight (food is family) and the deference to elders, especially the cool relationship between daughter-in-law and mother-in law. Also, how Asian Americans are considered different from Asian Asians. The food scenes are also emblematic of Asian cultures, so the film offers lots of “eye candy” for foodies.
Based on Kevin Kwan‘s novel, which is back on best-seller lists and on my to-read list, the movie is in the genre of rom-com with Rachel Chu, an Asian American economics professor, going to meet her boyfriend’s family in Singapore. Little does she know that Nick’s family is crazy rich and live like royalty. It’s a setup for conflict on several levels.
Lots of discussions and reviews are available online. One of my favorites is in The Atlantic featuring the reactions and comments of four female staff members. This movie has sparked much discussion because it marks a cultural moment, not just in Hollywood and pop culture, but also in our larger American culture. We’ve seen best-sellers by and about people of color for many years now, why did Hollywood take so long to produce another movie with a cast of mostly Asian actors? Where have they been? Hopefully they now get that movies with non-white leading actors and casts (the only white actors were the hotel employees in the opening scene and some in crowd scenes at the bachelor’s party) can be successful. Crazy successful!
Even when cultural details are not fully explained, audiences can enjoy and understand the film because this is a very human story. Those with Asian backgrounds will have more visceral appreciation for many scenes, but this doesn’t take anything away from non-Asians.
For me, the best line of this movie (and perhaps any movie) is when Astrid tells her cheating husband, “My job is not to make you feel like a man.”
Wow! For any woman to say this, but especially for an Asian woman, this is seismic!
So, this is another reason this movie was so powerful for me. Although the main characters are undeniably Rachel and Nick, female relationships are very central to the story. Friendships as well as competitive meanness. Power struggles between Nick’s mother (Eleanor Young) and grandmother and between Rachel and Mrs. Young. And the mother-daughter relationship between Rachel and her mom. As in life, women’s stories are important.
I kept waiting for Nick’s dad to show up. Never happens. Instead of patriarchal power, we have one that is matriarchal. The best scene is the mahjongg game between Rachel and Mrs. Young when Rachel tells Nick’s mother why she is leaving and that she understands the importance of family. She is not defeated and demonstrates she is just as powerful and strong as the older woman. For an Asian story and stories in general, I am cheering for strong female characters.
The female gaze is also apparent in the film. Most movies focus on the male gaze, but here we have men’s bodies (those abs!) on display for the delight of the women in the movie and in the audience.
I love this film! Thank you, author Kevin Kwan and director Jon M. Chu and kudos to all the wonderful actors and crew. I’m looking forward to the sequels and more films featuring talented and beautiful people of color.